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A lot of them have to do with how vibrato is either processed or generated. You'll find all the Basic settings in Advanced view, along with many more ways to craft the tuning.
The master Transpose, Detune, and Tracking controls allow you to set a different core pitch for the entire plug-in. The Formant effect can be subtle, but more extreme settings can sound more monster-like. There's also a Formant enable button and, when used in conjunction with the Throat control, you can change the length of the singer's throat. It's subtle, and you'll lose the Flex-Tune feature, but many longtime users like the audio flavor of AT5. Going Classicīeyond those four core settings, there's a Classic setting that provides the retuning characteristics of Auto-Tune version 5. The Hold button will freeze the display to provide an instantaneous report of the retuning amount. A large pitch display will show how many cents (+/- 100) the audio is being retuned. The Humanize control can make sustained notes sound more natural, and the Natural Vibrato allows you to keep or remove the vibrato recorded on the source track.
The best way to think of Flex-Tune is how you’d tune a young Bob Dylan who needs some pitch correction without losing his trademark entrance glissandi. Then adjust the Retune Speed knob until the tuning allows the initial pitch to pass through unaffected, while the sustained notes that follow are pushed or pulled into pitch.įor even more gentle results, increase the Flex-Tune control. But if you want more natural-sounding retuning, double-click all four large knobs to return them to default settings. If you want the Cher or T-Pain effect, crank the Retune control up to 0, the Flex-Tune down to 0, and the Humanize to 0, and the Natural Vibrato to -12. Then it's a matter of programming the plug-in to apply the kinds of correction you want to achieve. Once you have A-T Artist installed as an insert on an audio-based track, you'll see the new and sultry-dark user interface.
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Just log into your user account at to view your current products and upgrade pricing. UpgradesĪntares makes it easy to upgrade users who start with a lower level of Auto-Tune, then later find themselves wanting more features and power. Need Basic correction? Access is for you. Need Basic and Advanced modes on a couple of computers? Get Artist.
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If you need Graphic mode, Auto-Key, and license transportability, get Pro. With all that in mind, it's easy to determine which version of Auto-Tune is best for you. The Access version offers Basic correction mode for real-time processing (no Advanced mode) and also doesn't require an iLok. But others may only use one or two computers, and Artist won't need the iLok.
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The iLok makes the Auto-Tune license easy to transport for Pro users. Some producers will be using Auto-Tune on their laptop, desktop, or a variety of different computers. That could save the user from having to invest in an iLok dongle. However, Artist does not come with the graphical editor, nor does it come with the Auto-Key plug-in (available separately for $49.00.) Also, while Pro requires an iLok, Artist uses a software-based protection scheme. Rather than going through all of them, I'll refer you to our review. It's easier to describe the differences between all three versions in reverse. Artist now provides some of the Pro mojo for $299.00, so let's explore for whom the middle-child of Auto-Tune is made. The Access version sells for only $99.00, while the Pro version at $399.00 costs more than some DAW programs. Regardless of how it's known in the vernacular, Auto-Tune is a staple plug-in for producers who either use a DAW without native pitch correction or prefer the sound and/or performance of Auto-Tune.
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